[litquote] The shadow of a flame, the colour of a kiss
2011 22 Oct
My favorite author is named Tanith Lee. She is an unbelievably versatile writer with a varied body of work. I don’t love all her work, but some Lee books overwhelm me. I think of those books as articulating the baseline of my own emotions … or establishing that field of inquiry one might describe as the philosophy of love.
I once read a critic who called the French author Colette “a corsetiere of love”. If Colette is a corsetiere, then Tanith Lee is a surgeon with a scalpel — or rather, a more artistically violent profession, perhaps a sculptor with a knife.
My favorite of Lee’s short stories is called “The Glass Dagger”, which is part of the compilation The Book of the Dead; I don’t like the other stories in that book nearly as much. My favorite of her novels is Biting the Sun, although that could just be because I discovered it at age 14, and I felt like the main character was exactly like me. I have never felt able to satisfactorily quote these works, so they aren’t represented below. When recommending Lee’s work to newbies, I usually suggest starting with the compilation Dreams of Dark and Light and the fantasy sequence the Flat Earth novels, beginning with Night’s Master. There’s an incredibly awesome, detailed bibliography of Lee’s work at a website called Daughter of the Night.
I would give a lot to interview Tanith Lee, but I hear she’s reclusive. I’d direct you to her own website, which was once a tacitly lovely and sideways place; but it looks like tanithlee.com has been snagged by domain squatters.
Once upon a time there was a princess, outside whose high bedroom window a nightingale sang every night from a pomegranate tree.
While the nightingale sang, the princess slept deeply and well, dreaming of wondrous and beautiful things. However there came a night when the nightingale, for reasons of her own, did not sing but flew far away.
In the morning the princess summoned a gardener and told him to cut down the pomegranate tree. The man protested; the tree was a fine one, young, healthy and fruitful. But the princess would not relent. For as she said, all that one previous night a nightingale had perched in the branches, and the princess’s sleep had been very much disturbed by her song.
[from Disturbed By Her Song]
Love is everywhere … and the death of love. And time, which is built of the histories of death and love. Death and time I had always conceded, and acknowledged. And now I see plainly what love is. Not in you, pretty, mortal child. But in my arms that comfort you for wounding me, in my hands which soothe you for it, in my words which say to you, in despite of me, Do whatever you must. This lesson I will not remember. Nor shall I ever forget.
[from Delirium's Mistress]
A rose by any other name
Would get the blame
For being what it is –
The colour of a kiss,
The shadow of a flame.
A rose may earn another name,
So call it love;
So call it love I will.
And love is like the sea,
Which changes constantly,
And yet is still
The same.
[from The Silver Metal Lover]
[This last one is both sad and cruel. You've been warned. The main character is a late-1800s gentleman who has stopped off at a village during a long, long train ride. We do not know where he was traveling to. In this village, he has just seduced a girl named Mardya. ~CT]
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