I’d hoped to be able to write a Sex+++ FAQ before I go on my way to Africa, but it looks like I couldn’t get to it. Alas! Hopefully I’ll be able to post that later … but I’ll be off the grid for a while, so it might take a few months.

Thanks for everything, all, and keep the faith!

Since next week I’m going to Africa forever and ever, “Boy I Am” — the June 9th screening at my sex-positive documentary film series — was the last one I’ll be able to attend in person. The film series will continue. It’s going to be coordinated by our amazing Hull-House Education Coordinator Lisa, plus discussion facilitators we recruited from among regular Sex+++ attendees! But I, alas, will be far away being eaten by lions. (Yes. Eaten by lions! … I’m getting a bit loopy from lack of sleep, caused by running around trying to wrap up my life.)

Happily, though, the June 9th screening was a really good one … okay, they’re all really good. But this was really good! There were lots of people in attendance (I’d estimate 30-40), which surprised me — as I said in my last sex-positive documentary report, I was figuring that attendance would generally be lower for the second half of the series. Maybe some people were tempted to come by the presence of filmmaker Sam Feder, who was a great contributor to the discussion! Or maybe I’m just wrong about what films have wide appeal. Or maybe now Sex+++ is getting famous enough that people are just excited about Sex+++, more than about any particular film. Hey, I hoped to start an ongoing salon … it seems like I’ve somewhat succeeded!

Distributed by Women Make Movies, the documentary “Boy I Am” is a fascinating look at the stigma faced by female-to-male transpeople — not just in general, but within specific liberal subcultures one might assume would be trans-friendly, such as lesbian/gay groups or feminist groups.

I’m a BDSM activist, so one of the topics I related to most was the way some forms of radical sexuality have frequently been excluded from gay/lesbian or feminist communities. I’ve read about this before — for instance, the Michigan Womyn’s Festival has in the past famously excluded BDSM activities from its site on the grounds that BDSM is inherently oppressive, etc etc. Only after I learned about the anti-BDSM incidents at the Michigan Womyn’s Festival did I hear about the much higher-profile anti-trans policies; unlike the anti-BDSM policies, the anti-trans policies continue to this day.

I think there’s two issues at stake here, and there were quotations in “Boy I Am” that admirably represented both of those issues. One quotation: “there’s no way to be male without misogyny” … the idea being that identifying as male — or, worse, choosing to identify as male — brings with it an inherent anti-woman bias. I feel like if the woman in question were discussing BDSM, she might say: “There’s no way to exercise power without being oppressive.” Arguments like these are based on a grain of truth — that privilege is terribly easy to both abuse, and forget — and for that reason, they can be compelling in the right company. But they erase the importance of individual differences and desires; and they assume that we can’t learn to outthink our biases, or negotiate our potentially “privileged” and “oppressive” desires in ways that don’t hurt other people.

The other quotation: the “existence [of radical sexualities like trans or BDSM within the lesbian/gay movement] demands a higher level of tolerance than [many L/G activists] are willing to fight for”. The idea being that lesbian/gay people may feel that they are “normal” enough to have a chance at social acceptance — but if they band together with more “extreme” sexualities, they’re worried that they’ll lose their chance. You can see some of this attitude in this Salon article from a couple of years ago, titled “Gay Rights and the Transgendered” by John Aravosis:

The Employment Non-Discrimination Act was first introduced 30 years ago. In all that time, it only protected sexual orientation and never included gender identity. This year, that changed, and gender identity was added to the bill. Coincidentally, this year is also the first time that ENDA actually has a real chance of passing both the House and Senate — but only if gender identity isn’t in the bill. … [Everyone I spoke to about this] felt bad about taking gender identity out of ENDA, everyone supported transgender rights, and everyone told me “pass it anyway.”

Their main argument, which I support: practical politics. Civil rights legislation — hell, all legislation — is a series of compromises. You rarely get everything you want, nor do you get it all at once. Blacks, for example, won the right to vote in 1870. Women didn’t get that same right until 1920. The Civil Rights Act of 1964 provided a large umbrella of rights based on race, religion, sex and national origin, but failed to mention gays or people with disabilities. People with disabilities were finally given specific rights under the Americans with Disabilities Act of 1990, but gays as a class have still to be granted a single civil right at the federal level. If we waited until society was ready to accept each and every member of the civil rights community before passing any civil rights legislation, we’d have no civil rights laws at all. Someone is always left behind, at least temporarily. It stinks, but it’s the way it’s always worked, and it’s the way you win.

(Thanks for the link to Sex, Art and Politics.)

On the surface, Aravosis makes a reasonable argument. But when I read the rest of the article, I get an uneasy feeling that this has less to do with practical politics … and more to do with the author’s biases. For instance, Aravosis calls bisexuals “only part-time gays”, and his dislike of trans is even more transparent (teehee): “A lot of gays have been scratching their heads for 10 years trying to figure out what they have in common with transsexuals, or at the very least why transgendered people qualify as our siblings rather than our cousins.”

I might consider the idea that civil rights move slowly to be a reasonable argument … but calling bisexuals “part-time gays”, or wondering what gay people have in common with transsexuals, is simply bizarre. It’s obvious what all alternative sexualities and gender identities have in common: the idea that consent matters more than knee-jerk bias; the idea that everyone has sovereignty over our own bodies. Gaining equal treatment for alternative sexuality can’t just be about convincing people that individual acts or specific identities are okay — because worrying about individual acts in themselves is part of what gives people anxiety about alternative sexuality in the first place.

If we say: “Okay, straight sex and gay sex is fine but I don’t support bisexuality,” we’re making the same mistake that the “normals” make when they say: “Straight sex is fine, but I don’t support homosexuality.” This movement cannot be about acts; it must be about the context of those acts. Consent has to be what matters more than appearance. That’s the only coherent philosophy.

Other points brought up by “Boy I Am”:

+ Some women talked about how they think transitioning stems from women’s negative body image. They argued that it’s really hard to feel okay about our bodies growing up; that women always feel uncomfortable in our bodies, and that female-to-male transpeople transition more because they hate being female — less because they want to be male. They were bothered by this; one was angry, and called it “audacity”. She resented female-to-male transpeople for “walking away” from the issues of femininity that she constantly felt compelled to confront herself. It seems clear to me that this is based more on resentment and frustration than on any rational critique of trans in itself. And while I’m sympathetic to women who hate our culture’s misogyny, I think we always need to make sure that we don’t attack/dislike others personally just because we feel shafted by society.

+ Every human body is a modified body: we all eat hormone-modified foods, we take medications, we wear makeup and piercings and tattoos — indeed, we wear clothing! When we allow smaller modifications like those, it seems strange to prevent larger modifications. One might ask, where’s the line? Well, the line … again … is consent. It’s not the acts, it’s not the body changes in themselves — it’s consent. Always.

+ Is there ever a premature time to transition? How young should we allow people to get trans surgery? I don’t think we do kids any favors by preventing them from dressing / appearing as they wish. I think the surgery question for me boils down to this: why is there ever a reason to prevent someone from getting trans surgery, if the person wants it? If that person recognizes the costs and accepts any potential risks, what right does anyone have to stop that person from doing what they want with their body? If we prevent kids from transitioning, then I think we need to be very clear about why we’re doing it. If we believe that people can do whatever consensual things they want with their own bodies, then the only reason it’s different for kids is if we claim that there are different rules about consent for children. And maybe there are different rules about consent for children — but if we believe that, then we need to be clear that we’re talking about those rules when we prevent kids from transitioning … not anti-trans bias.

1500 words this time! And I have to go pack for Africa; this’ll be my last overly-long Sex+++ documentary report. To summarize — “Boy I Am” is a really layered, fascinating movie. I give it five stars, and I’m glad it was my last one … it means I get to leave on a super-up note.

It’s been great, guys, and I encourage you all to come out to the next film — Tuesday June 23rd, “On the Downlow”. It’s about underground Black gay life. Have fun! Rock the rest of this film series for me!

So it seems I’m leaving Chicago soon — very soon! — and going to Africa.

When I try to tell the story of the sex-positive activism I’ve done here in Chicago, it’s kinda difficult. A lot of it snuck up on me. A lot of it was rather a surprise.

I’ve been on a career track towards going to Africa to do AIDS education for the last two years. I was never sure when I was going to be sent away, though — in fact, my departure was delayed twice. In the meantime, I was solidifying my BDSM identity; I came into that four years ago, and the learning process has only accelerated recently. I was also running lots of events for fun; I didn’t think of it this way at the time, but in retrospect, that was an incredibly helpful learning experience. And I’ve always been extremely interested in sex and culture.

Last year, I briefly dated a documentary filmmaker. Dating him both got me more interested in documentaries — I had previously been far more interested in fiction — and gave me a small window into what the film festival process is like. When I heard that “Passion and Power” (a history of vibrators and female sexuality) was screening in Chicago, I dragged my favorite gender studies friend Lisa to come see it with me.

After “Passion and Power”, the conversation went something like this:

Me: That was great! You and I should have a regular sexuality film night.
Lisa: You know, I bet people besides us would come to see that ….

Lisa works as Education Coordinator at Jane Addams Hull-House Museum, and she has way more experience running events than I do. Our ideas about the film series grew and grew! What started as nothing more than “let’s see fascinating movies and have interesting discussions!” became a Huge Awesome Activist Project. Lisa pointed out that it could bring a bunch of different sexuality communities together. I realized that it would be the best platform ever, not just for adult sex education, but alternative sexuality activism of all kinds — including my personal favorite, BDSM outreach.

So we created the Sex+++ film series and convinced the Hull-House Museum to host it. I took what I’d learned from dating the filmmaker / running events / spending years thinking about sex and culture — and I spent hours upon hours researching appropriate documentaries, tracking down filmmakers and distributors, begging for sponsors, calling everyone in the city who might be interested in sex events, generally driving myself insane …

… but it’s all been worth it, because the series really took off. Really, I was stunned by how much everything — not just the series, but my life — took off.

And then, of course, after the film series exploded and my BDSM outreach exploded and I started doing things like lecturing at the Museum of Sex, or fielding calls from reporters and talk shows, or inspiring others to create their own incredible sex-positive projects … that was when the African AIDS education program called me. Oh yeah, remember them?

I had a moment where I considered staying here in Chicago. Actually I had more than one moment like that, and I worry that I’m being an idiot by leaving. Not just because leaving halfway through the Sex+++ film series is like planning an incredible all-night party, then leaving at 11PM ….

I’ve been lecturing and leading workshops around the city — around the country! I’ve had multiple opportunities to write professionally about these issues! It seems likely that if I came out (scary as the concept is) and took the time to promote myself, I could develop into a badass sex-positive activist / lecturer / writer. Am I being an idiot by departing now? Maybe. Maybe I am. Maybe I’ll be kicking myself for the rest of my life.

But I have wanted to go abroad for a long, long time. I believe that doing AIDS education in Africa is an unmatched opportunity to do work that needs to be done, to learn many things about sexuality and sex education — not to mention, to learn about being human … stretching myself to the max … existing in ways I never thought of. I know it’s going to be difficult and depressing, and I’m going to be lonely and miserable for large swaths of the experience, and I’m scared that I — the Internet geek, American culture-analyzin’, alt sex-lovin’ girl — totally do not belong in darkest Africa. But hey, I heard somewhere that I’m a masochist. Plus, if I’m going to be thinking about my career, this program will lend me a lot of professional legitimacy — more legitimacy that I can put in service of the sex-positive agenda. (What, you thought I didn’t have an agenda? Damn straight I have an agenda. Fear me!)

So I’m still going. In fact, I’m going next week. If all works out as planned (I never assume that it will), I won’t be back for years. My access to the Internet will probably be irregular; indeed, for the first few months, I most likely won’t have Internet access at all. I will post if I can, and I’ll send back whatever interesting sexuality information I come across. I’m sure I’ll still think about BDSM all the time, even though I’m also sure I won’t have as many opportunities to practice it; I hope I’ll have time to post some of those thoughts as well.

The film series will continue in my absence; I’ve put in many hours — and I’ll put in many more hours for the rest of this week — creating an infrastructure so that the Show Does Go On. (I also intend to post a Sex+++ FAQ this week, so as to make it easier for others to steal my idea and do the film series elsewhere.) Pleasure Salon will continue, hosted by the same great people who have been hosting it all along. I hope it’s still going when I get back!

Worst comes to worst, this opportunity doesn’t pan out and I come running home with my tail between my legs. Yeah, it could happen. But I’ve got to try.

It’s been a great ride. And I’ll be back.

THE SEX WORKERS OUTREACH PROJECT PRESENTS
an intriguing exploration of the Asian massage parlor industry in Providence, RI

“HAPPY ENDINGS?”
documentary and discussion

in support of SWOP-Chicago
presented by Clarisse Thorn
and hosted by the Leather Archives & Museum

Friday, June 12, 7PM
Leather Archives & Museum
6418 N. Greenview
Chicago, IL 60626
(773) 761-9200
$5-10 suggested donation to SWOP-Chicago

Rhode Island: the only state where prostitution is decriminalized. It had been over 25 years since five prostitutes sued the state of Rhode Island for selective prosecution and prostitution laws were removed from the books when documentarians Tara Hurley and Nick Marcoux turned their cameras on the underbelly of “The Renaissance City”.

Watch the drama unfold in Asian massage parlors across Providence as Mayor David Ciccilline pushes to close the prostitution “loophole”. Follow Heather, a Korean immigrant, over two years as she manages the massage parlor. Learn about the women who work in the spas. Hear from the police who arrest them. Watch the fight for and against the legislation. The film includes subtitled interviews with Korean women who work in the spas, clients who frequent the spas, police, politicians from 1980 and today, local news footage, local radio call-in shows, and “voiced” reviews from internet escort review boards. Read more, watch the trailer, and see clips from the film at the “Happy Endings?” official website.

Just recently — May 2009 — prostitution is in the process of being criminalized again in Rhode Island. Come out, watch the documentary, and talk about it afterwards. What do you think about sex work? Is the change in Rhode Island law fair or unfair? Delicious snacks will be served, and discussion will follow!

This is a benefit for the Sex Workers Outreach Project, and we’re requesting a $5-10 donation from attendees.

To learn more about the Chicago chapter of the Sex Workers Outreach Project, visit their website!

Thanks to our host the Leather Archives and Museum: preserving the history of alternative sexuality!

Screening facilitated by Clarisse Thorn, sex-positive activist and curator of the Sex+++ Film Series.

“HAPPY ENDINGS?”
Official Website

Friday, June 12, 7PM
6418 N. Greenview
$5-10 suggested donation

Cross-posted at SexGenderBody.com

We’re settling into a smaller audience at my sex-positive documentary film series — I think it’s possible that July 28 (which I have mentally dubbed “porn night”) will draw the same kind of standing-room-only audiences we had at some of the earlier screenings, but I’m guessing that we’ll otherwise continue to have smallish audiences (15-30 people). This doesn’t particularly worry me; I somewhat expected it, in fact. The early films I scheduled for the series are both difficult to find information about — few mainstream venues screen documentaries about BDSM! — and quite accessible in tone. That is, early Sex+++ documentaries were more along the lines of introductory or “101″, while the films I’ve scheduled later tend to be about more complicated or esoteric topics.

For instance, “The Aggressives” is about a specific lesbian subculture ….

… and I liked the film a lot! Thanks to Seventh Art Releasing for letting us screen it. And I loved the discussion after the documentary even more — it was very focused, with some eloquent and diverse perspectives. I left grinning ear to ear.

The documentary is about the “Aggressive” subculture in New York — possibly it also exists elsewhere; I don’t know enough about this topic to say — which is composed of lesbians of color. Apparently, Aggressive women focus on creating very butch identities, and have contests/balls where they compete to be the most masculine; these balls feature dress-up themes like “construction worker vs. painter” or “businessman vs. blue collar”. Interestingly and perhaps obviously, this means that many Aggressives work hard to fit themselves into stereotypes of masculinity. Not only do they seek to look “obviously” masculine, but to change other patterns of behavior, like speech and body language; and some do go on male hormones.

Indeed, there was one fascinating interview in which an Aggressive talked about how she sees male hormones as an “edge” in the Aggressive contests, and cited this as temptation to take hormones. It was not apparent to me whether she was as interested in being masculine, as she was in beating other Aggressives at the masculinity game. And maybe it’s worth noting that this particular Aggressive’s femme girlfriend said she wasn’t too excited about the idea of her partner going on hormones — “I still like a woman,” she said.

One description I found for this film on the Internet states that the Aggressives challenge gender stereotypes by acting the way they do. But one question that came up in the discussion group was — do they? If Aggressive identity is focused around being stereotypically masculine, then arguably they’re working more to reinforce our cultural assumptions about gender than to challenge them. There was some footage showing Aggressives doing very “macho”, “dominant” things like rapping misogynistically, or ordering femme lesbians to perform for them. One Aggressive talks about teaching boys to be men and says, “You don’t have to be a man to teach someone how to be one — it’s about being responsible, being the breadwinner.”

So, it does seem as though many Aggressives still fall prey to gendered preconceptions. On the other hand, the film also noted the existence of women who identified as Aggressive … but femme rather than butch! I wish the film had spent more time explaining what exactly it might mean to be a “femme Aggressive”. It seemed as though some Aggressives might switch between roles, but I’m not sure about that.

Speaking of switching puts me in mind of my experiences as a BDSM switch, and takes me to another thought I had during the post-film discussion: there were such obvious dynamics of power between femmes and butches in the Aggressive subculture … it made me wonder what kind of BDSM practices might exist in these relationships, and how those practices might be negotiated. It also seems possible to me that some people in the subculture might be attracted to the ideas of power, strength and dominance so obviously typified in certain Aggressive stances — I wonder if some Aggressives are more attracted to the power dynamics than they are to the lesbian (or, for some, trans) aspect of being Aggressive.

Obviously, this is wild theorizing on my part, and highly biased at that — I am far more exposed to BDSM and BDSM desires than I am to LGBTQ. But I have met multiple people who stated that the BDSM aspects of their sexuality “trump” their straight vs. LGBTQ orientation. My last entry was about the idea of BDSM as an orientation, and Laura Antoniou left a comment that included the statement: As Califia once wrote many years ago, I’d rather be left on a deserted island with a kinky man than a vanilla lesbian; SM trumps gender identity and my otherwise primary orientation to other girls. So, who knows? I’d love to talk to some Aggressives sometime about power dynamics and violence in bed.

This also highlights another question I’ve thought about a lot — how does the available culture shape how we approach alternative sexuality? That is, what happens to someone who has BDSM desires if that person is never exposed to a subculture devoted to BDSM? I see myself as “oriented towards BDSM”, but what would my BDSM practices look like if there weren’t an available subculture showing me certain images of BDSM? If I’d been exposed to the Aggressive subculture and never exposed to the BDSM subculture, would I have been likely to incorporate myself into that? Conversely, is it possible that some of the lesbians who find themselves in the Aggressive subculture are there more because it’s the lesbian community that’s available to them, than because they’re drawn to masculine women or power or … whatever?

Argh, over a thousand words and I’m only halfway through my notes … and I have to run! I feel like I never have time to get out all my thoughts about these films. Oh well. You can buy “The Aggressives” online at the website for Seventh Art Releasing. And I definitely encourage all and sundry to attend the next Sex+++ screening. That’s tonight, Tuesday the 9th, 7 PM as always! The documentary featured will be “Boy I Am”: a look at the experience of three young female-to-male transpeople, and the way they’re treated — not just by society at large — but also by some queer and feminist groups that see female-to-male transitioning as culturally suspect or problematic. Thanks to Women Make Movies for letting us screen it.

“Boy I Am” will actually be the last Sex+++ screening I facilitate because I will soon be taking advantage of a professional opportunity abroad, but the film series will continue in my absence. I’ll post more on that soon — in the meantime, I hope to see you here at Hull-House Museum … very soon!

A question that sometimes gets raised in BDSM contexts is: Is BDSM a “sexual orientation”? I’ve spent rather a lot of time thinking about this, and at this point, I believe the answer depends largely on the individual — yet at the same time, the answer stands a strong chance of being politicized into something that could limit individuals. And that scares me.